The crate was so big we had to have a welder cut through the railing at the front of the studio to get it inside. I didn’t look in. Instead, I invited a bunch of friends to the “uncrating.” When we opened the crate and unwrapped the new dye-sublimation aluminum prints, we all gasped. It was overwhelming.

This is a PROCESS. First we pull the original film or raw file. The film gets the highest-resolution scan possible, then goes to my retoucher, who cleans up any artifacts of age. Next the file goes to master printer Mark Berndt in Santa Fe. He is a photo magician. The files come back to me ready to print. I check everything over, sometimes asking Mark for another pass, and then they go to Blazing Editions in Rhode Island, masters of dye-sublimation printing on aluminum. A couple of weeks later, the crate arrives at my studio.
 

These prints are a whole other experience. I’m seeing things in these images I never saw before. They are literally bigger than life. In Mac Miller at Red Rocks, you can see every single person in the audience, including my wife, Stephie! In the Ewan McGregor image, you can almost feel every hair of the lion’s mane. Karl Lagerfeld and Christy Turlington look like a painting. Kobe whispering is more intimate than ever.
 

Each image is offered in a limited edition of 9. Contact the studio for pricing.